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(Updated 01-16-2018 )

February Festival The Hague

Maria is very excited to be a part of the first edition of the February Festival in The Hague. She will be performing songs of Clara Schumann and Fanny Mendelssohn, together with pianist Peter Nilsson and other renowned musicians from all around the world. Concert dates are the 14th and 17th of February in the Nieuwe Kerk in The Hague.

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To go into the Unknown

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Maria´s first solo album "To go into the unknown", together with pianist Peter Nilsson has officially been released by the new record label 7Mountain Records.

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"C'est Maria Fiselier qui l'interprète très juste dans son jeu à travers la salle et la scène et ancrée vocalement dans ses graves"

Ôlyrix, about the role of Emmy Perth in Marschner's Der Vampyr at the Grand Theâtre de Genève (November 2016).


"Maria Fiselier maakte grootse indruk met haar donker glanzende alt."

NRC Handelsblad, about the Mozart Requiem with "Het Residentie Orkest" conducted by Jan Willem deVriend (February 2017).


“Maria Fiselier has a lovely rich mezzo-soprano voice, evenly produced and her Suzuki was a miracle of discreet poise”

Planet Hugill, about the role of Suzuki at Opera Holland Park, June 2013


Dutch mezzo-soprano Maria Fiselier is considered one of Holland’s top emerging artists, praised for her “exceptionally warm, opulent voice, used with sensitivity”.

Her most recent highlights include Emmy in Marschner´s Der Vampyr, at the Grand Théâtre de Genève and Magdalene in Wagner's Die Meistersinger von Nürnberg, as well as Ottone in Moteverdi's Die Krönung der Poppea, both role debuts at the Komische Oper Berlin.

Highlights for the 2015/2016 season included the role of Marscha in Tchaikovsky's Pique Dame at the Dutch National Opera with Mariss Jansons conducting, zweite dame in Mozart's Zauberflöte at the Gran Teatre del Liceu and Mlle Dangeville in Cilea's Adriana Lecouvreur at La Monnaie Opera, conducted by Evelino Pidó

Maria is a member of the ensemble at the Komische Oper Berlin since 2016/2017 season, where she has been seen as Zweite Elfe in Rusalka, Mercedes in Bizet's Carmen, Katze/Eichhörnchen in Ravel's L'enfant et les sortileges and Sylvia/Proserpina in Monteverdi's Orpheus among other roles.

Her roles for the 17/18 season will include Orest in Offenbach's Die Schöne Helena, Chava in a new  Barrie Kosky production of Anatevka and Olga in Tchaikovsky's Jewgeni Onegin.

Other recent engagements include debuts at the Grand Théâtre de Genève as Oreste in Offenbach´s La Belle Hélène and at the Staatstheater am Gärtnerplatz as Dorabella in Mozart's Cosi fan Tutte. Maria also sang the role of Zweite Magd in Strauss' Daphne and Alto in Wolfgang Rihm’s Jakob Lenz, both at La Monnaie in Brussels, Delia in Rossini's Il Viaggo a Reims at the Dutch National Opera, La Contessa di Ceprano in a concert version of Rigoletto, and Kate Pinkerton in Puccini's Madama Butterfly, both at the Concertgebouw Amsterdam, a program with highlights of Carmen at the Miyazaki International Music Festival in Japan and Susie in Bernstein's A quiet place in a production of Ensemble Modern at the Konzerthaus Berlin and the Dresdner Musikfestspiele. At Opera Holland Park in London she sang the roles of Suzuki in Madama Butterly and Serena in Wolf-Ferrari’s I Gioielli della Madonna.

 



 

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